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Prize: $100 USD credit at Escape Motions shop Honorable Mentions Thanks for the opportunity to realize their creative skills in digital.” I am also grateful to the events that led me to realize that I was am and be an artist, and therefore I also devote part of the gratitude to teachers and developers for creative programs, including Escape Motions. In this illustration, I tried to express my valuable people who were with me and helped me grow. “I’m thankful for the people and events that make me happy. Prize: $100 USD credit at Escape Motions shop
![amberlight software amberlight software](http://download.bitsdujour.com/software/screenshot/amberlight-wrt0d.png)
“I’m thankful for all the great tools that have been invented so we can “put on paper” what’s on our mind :) These tools have increased my passion for drawing and allowed me to make a living out of it! So yeah… pretty thankful! ) This one has been inked with my favorite Copic Multiliner and colored with Rebelle 3.”
![amberlight software amberlight software](http://download.bitsdujour.com/software/screenshot/amberlight-vvzdc.png)
Prize: $200 USD Amazon eGift card and $200 USD credit at Escape Motions shopĢnd place: ‘Thankful For Drawing Tools’ by Gynux They’ve watched me for years but they’re finally old enough to draw on the Cintiq. “ It’s 2019 and I am thankful for family, turkey dinner, and Rebelle 3! This Thanksgiving holiday I’m teaching my boys how to draw in Rebelle. Let’s reveal the winning artworks of the #IAmThankful artwork contest:ġst place: ‘What I Am Thankful’ For by Junkyard Sam There are many things to be thankful for and we are truly honored that so many of you decided to share them with us and other users through your art. The lack of effect in the Goggle group could be due to the simultaneous activation of the short-wavelength sensitive (SWS) and LWS cones caused by the scattering of the broad-band light from the periphery of the goggles.We would like to thank everyone who joined our Thanksgiving Artwork Contest this year. Exposure to ambient amber light produced substantial hyperopia in the Filter group but had no effect on refractive error in the Goggle group. Changes in the vitreous chamber were consistent with the refractive error changes.
![amberlight software amberlight software](http://cdn.designbeep.com/wp-content/uploads/2015/03/amber_3-65x65.jpg)
However, the refractive error in the Goggle group was not different from that in the Colony group (p = 0.35). When the treatment ended, the Filter group exhibited significantly greater hyperopia (mean = 3.5 D) compared with the Goggle (0.2 D, p = 0.01) and Colony groups (1.0 D, p = 0.01). By contrast, the Goggle and Colony groups showed continued normal emmetropization. During treatment, the Filter group became progressively more hyperopic with age (p < 0.001). At the start of treatment, mean refractive errors were well-matched across the three groups (p = 0.35). Treatment groups were compared with age-matched animals (Colony group, n = 7) raised in standard colony fluorescent lighting (100–300 lux). Non-cycloplegic refractive error and axial ocular dimensions were measured daily. Starting at 24 ± 1 days of visual experience, 15 tree shrews (dichromatic mammals closely related to primates) received light treatment through amber filters (BPI 500/550 dyed acrylic) either atop the cage (Filter group, n = 8, 300–400 human lux) or fitted into goggles in front of both eyes (Goggle group, n = 7). We asked whether exposure to amber light, which also stimulates only the LWS cones but with a greater effective illuminance than red light, has a similar hyperopia-inducing effect in tree shrews. Exposure to narrow-band red light, which stimulates only the long-wavelength sensitive (LWS) cones, slows axial eye growth and produces hyperopia in tree shrews and macaque monkeys.